Phrashe: June 2010

Wednesday, June 30, 2010

[R101.Ebook] Ebook Download Cirque Du Freak #1: A Living Nightmare: Book 1 in the Saga of Darren Shan (Cirque Du Freak: The Saga of Darren Shan), by Darren Shan

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In the tradition of Stephen King's 'Salem's Lot, Cirque Du Freak is the frightening saga of a young boy whose visit to a mysterious freak show leads him on a journey into a dark world of vampires. Filled with grotesque creatures, murderous vampires, and a petrifying ending, Cirque Du Freak will chill, thrill, and leave readers begging for more.

Sales Rank: #457127 in Books
Brand: Little, Brown Books for Young Readers
Published on: 2004-04-01
Original language: English
Number of items: 1
Dimensions: 6.75" h x .75" w x 4.13" l, 1.17 pounds
Binding: Mass Market Paperback
272 pages

Features

Great product!

Amazon.com Review
Anyone who loves the humorous but hair-raising horror in R.L. Stine's Goosebumps series will devour British author Darren Shan's first novel with equal zeal. Some books are born with a surrounding buzz; this one even has Harry Potter creator J.K. Rowling's stamp of approval: "Fast-paced and compelling, full of satisfying macabre touches," she writes. Warner Brothers will be making it into a movie, and the rest of the series is already in the works. Given all that, you'd expect a tour de force! Really, though, Cirque Du Freak is a thrill ride that will keep even the most reluctant readers turning pages, but will never take its place in the literary canon.

Darren Shan, author and narrator, sets the book up as a true story, warning readers: "Real life's nasty. It's cruel.... Evil often wins." Indeed, evil begins to win when Darren and his buddies find a flier for "Cirque Du Freak," a traveling freak show promising performances by the snake-boy, the wolf-man, and Larten Crepsley and his giant spider, Madame Octa. Darren and his friend Steve wouldn't miss it for the world.

So, Saturday night they sneak out to the old theater, tall and dark, with broken windows. "Every act you see tonight is real," croaks Mr. Tall. "Each performer is unique. And none are harmless." That's for sure. (A werewolf bites off the hand of someone in the audience, for instance.) Things grow very serious for the two boys when Steve not only recognizes Mr. Crepsley as a famous vampire, but professes his true desire to join him! To make matters worse, the spider-obsessed Darren goes back to the old theater to steal Madame Octa so he can teach her tricks in his room. (He does, with mixed results.) The plot further coagulates as Darren is faced with some terrible decisions about what to do to save his bloodthirsty friend Steve.

Readers may be too enthralled to notice some clumsy editing (the aforementioned bitten-off hand is later referred to as an arm, Darren stops dead in his tracks when he's already stopped, etc.). They may also not notice that the boys constantly use adult-sounding expressions like "his breath stank to the high heavens," though the book is clearly set in the 21st century. If this book gets under your kids' skin (and it probably will), they're in luck--we haven't heard the last of the Saga of Darren Shan. (Ages 10 and older, not for the faint of heart) --Karin Snelson

From Publishers Weekly
With strong sales overseas and a movie deal in the works, book one in The Saga of Darren Shan series is poised to capture a wide audience of series horror readers. After a rather slow buildup, a boy with the same name as the author sneaks out with best friend Steve to an illicit freak show, and his life becomes entangled with a vampire spider-wrangler, Mr. Crepsley. "This is a true story," writes Shan. "In real life, bad things happen. People die. Fights are lost. Evil often wins." The scenario is compelling, and the author mines the exploitative history of early 20th-century sideshows to create an artfully macabre "Cirque du Freak." But Darren's actions are often undermotivated: "I can't explain why Madam Octa [the spider] meant so much to me, or why I was placing my life in such danger to have her. Looking back, I'm no longer sure what drove me on." Also his intermittent attraction to and repulsion by the vampire is never fully explored. His behavior may be explained in the sequel, The Vampire's Assistant (due in Sept.), but the open ending leaves so many loose ends that readers may leave more frustrated than intrigued, especially since the characters' wooden dialogue drains them of personality ("I'm upset," says Steve. "It hurt, what Mr. Crepsley said, and you ignoring me at school... If you break up our friendship, I don't know what I'll do"). Readers interested in boys becoming vampires would be better served by M.T. Anderson's Thirsty and those fascinated with freaks by Iain Lawrence's Ghost Boy. Ages 10-up.
Copyright 2001 Reed Business Information, Inc.

From School Library Journal

Gr 4-8-In his introduction, 12-year-old Darren claims that this is a true story, though the names have been changed and the country (obviously England) kept secret. When a bizarre-sounding freak show comes to town, he and his friend Steve sneak out to attend, and Steve recognizes one of the performers-as a centuries-old vampire. Darren decides he must steal the vampire's performing, poisonous spider. The theft is successful, and he learns to control Madam Octa with a combination of flute music and ESP-until she bites Steve. Darren must then sell himself into vampire slavery to get the cure to the spider's poison. This volume is neither as well written nor as compulsively readable as the "Harry Potter" books (Scholastic), though surely J. K. Rowling's endorsement on the cover will win it a few fans. Most of the characters aren't developed much beyond their names and a brief description. The slowness of the plot in the beginning might turn some readers off, but once the supernatural enters, they will be hooked. The fun here is in the details and in the uniqueness of the non-evil vampire monster. Several volumes of the series are already out in England, and the movie rights have already been purchased, ensuring that this title and probably its sequels will be in demand.-Timothy Capehart, Leominster Public Library, MA

Most helpful customer reviews

3 of 3 people found the following review helpful.
Turn your kids onto reading again.
By William
I remember reading this book as a child and loved it back then. I am now an instructional aide for some 6th graders. They really were not invested in reading until I gave them this book. There was one scholar in particular who would not read any book given to them because they were not "good" at reading until they picked this one up. They have read this book enthusiastically and actually want to complete their work quickly so they can get back to reading the book. Any book that can truly change a scholar's perception of reading is truly a marvelous book. I'm glad to get them for the scholars of my class.

1 of 1 people found the following review helpful.
3.5, audio, Tense, exciting, gross
By Katherine
Originally posted at Fantasy Literature.

Warning: This is the second book in the CIRQUE DU FREAK series, so this review necessarily contains spoilers for Book 1.

Darren Shan’s life is officially a mess after several monumental screw-ups which were detailed in the previous appropriately named book, A Living Nightmare. He has left home and joined the Cirque du Freak as Mr. Crepsley’s assistant. Mr. Crepsley is a vampire and Darren is now a half-vampire. Darren has super strength and speed and, he discovers, he’s dangerous to humans. He’s bummed out because not only has he left his family and friends (who think he’s dead), but he now worries that he’ll never be able to have any friends at all. He also despairs because he knows that, eventually, he’ll have to start drinking human blood…. or die.

Darren’s a sweet kid, despite his mistakes, so readers will be pleased to see Darren making a couple of friends in The Vampire’s Assistant. One is Evra, the snake-boy from the show, and another is Sam, a kid from a town near where the Cirque du Freak is camped. Author Darren Shan is wise to give us a little break from the terror as Darren, Evra and Sam act like normal boys for a while and as Darren meets his new freaky “family” and learns how to do his chores for the show. Readers will also be pleased to notice that Mr. Crepsley, who’s become sort of a father figure, is pretty ethical for a vampire. (Although, paradoxically, what he did to Darren in book 1 is not very ethical.)

Soon enough things start going wrong. There’s a camp of environmentalists nearby and one of them takes an interest in the goings-on at Cirque du Freak. When he gets involved, something gruesome and horrible happens — something that will haunt Darren for the rest of his life. I was grossed out and disturbed by these events and I’d recommend that parents read The Vampire’s Assistant before giving this series to a squeamish child. The massive popularity of the series suggests that many children can handle the horror, but I don’t think my 11-year old daughter can.

Author Darren Shan does a great job creating tension. Foreshadowing and short chapters with cliffhanger endings keep the reader turning pages. I didn’t believe in some of Darren’s actions, especially at the climax of the story, but younger readers probably won’t notice. (But I do hope they notice the improper use of the personal pronoun “me” instead of “I” in several of Darren’s sentences. Inexcusable.) (Update: Mr. Shan has informed me that this particular use of poor grammar was deliberate and is corrected by an English teacher who interacts with Darren in a future book).

I’m listening to the audio version of CIRQUE DU FREAK which is produced by Blackstone Audio and narrated by Ralph Lister. Again, Lister’s reading is a little too emphatic for me, but younger readers are likely to approve.

0 of 0 people found the following review helpful.
Strong support for friendship and brotherly love.
By S. Smith
Sounds freaky for parents - Vampires!!?? But the topic is treated very humanely. The boy in question is very concerned about his predicament and reluctant to hurt anyone. The series has very positive messages about friendship and responsibility.

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Monday, June 28, 2010

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The small business sector is, collectively, the biggest business in Australia. New ventures are continually being launched and the successful ones provide hope and a promise of satisfaction to all those who long to be their own boss. Previous editions of this text have been the guidebook for many of these successful business owners. Since its first publication, the small business environment has become vastly more complex, and successive editions have recognized and responded to these changes. This ninth edition is updated to include information on internet marketing and the tax system.

Published on: 1981
Binding: Paperback
205 pages

About the Author
John English has successfully created and managed a number small businesses both in Australia and overseas. He is Associate Professor at the University of Tasmania, a Certified Practising Accountant and a consultant to governments and small business operators.

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Saturday, June 26, 2010

[C404.Ebook] Download Ebook The Complete Book of Origami: Step-by Step Instructions in Over 1000 Diagrams (Dover Origami Papercraft), by Robert J. Lang

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Hours of enjoyment await with this big book of origami fun. Whether you're an experienced paperfolder or you're just entering the origami world, you'll find 37 captivating models galore right here, in all their well-illustrated glory. Robert J. Lang, a veteran origami artist, accompanies his step-by-step directions with more than 1,000 detailed drawings, plus a photograph of the finished model.
Start with a kangaroo, a nun, a rocket, or a bust of King Tut. Advance to a dragonfly, a dinosaur, a winged Pegasus, or a cicada. By the end, you'll be making action folds — models with moving parts that re-create flapping birds, rowing ships, and fiddling violinists. The author includes an introduction to the history of origami, plus helpful hints on tools and materials and a key to the folding symbols.

Sales Rank: #31543 in Books
Color: The Complete Book Of Origami
Brand: Dover
Model: DOV-25837
Published on: 1989-01-01
Released on: 1989-01-01
Original language: English
Number of items: 1
Dimensions: 12.00" h x 9.00" w x .50" l, .39 pounds
Binding: Paperback
160 pages

Features

Author: Robert J. Lang
Softcover book
Book contains 154 pages

Most helpful customer reviews

101 of 103 people found the following review helpful.
pretty good but has some faults
By A Customer
The book starts off so well with great written instructions and clear diagrams. However, the author too quickly abandons the beginner by shortening the written directions and cutting out parts of the diagrams which we've supposedly already learned. Also, he states in the beginning that the shaded sides of the diagram will indicate which side of the paper you're looking at (most paper is white on one side and colored on the other) but only in the first diagram and in a few other advanced ones does he do this. Plus, I believe that he starts a few off wrongly by telling the wrong side of the paper to start with.
On the good side, the structures quickly build off of the folds of the previous one so you can master various folds and apply them to the next. The beginner form, the mouse, is really cute. Not a bad book on origami but I believe I'll need to add another book to my collection in order to get further along.

1 of 1 people found the following review helpful.
Great Models. Poorly Written.
By Ally J
Robert Lang is one of the greatest origami designers so it bothers me to give this book a poor review. The models are really cool and it doesn't bother me that the paper is not always square.

Unfortunately the instructions are poorly written. I realize that watching a video is much easier than following instructions in a book. Representing 3 dimensions with 2 dimensional line drawings is difficult. Some of the more complicated folds should have clear instructions but they do not. I wonder if the instructions are correct at all. It's like he was running out of time when writing these instructions. I cannot recommend this book for beginners or even experts.

0 of 0 people found the following review helpful.
Three Stars
By F SMITH
Very advanced, not for beginners.

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Tuesday, June 15, 2010

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Fiqh-us-Seerah: Understanding the Life of Prophet Muhammad, by Muhammad Ghazali

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Understanding the Life of Prophet Muhammad

Sales Rank: #1212437 in Books
Published on: 2015-03-25
Original language: English
Dimensions: 9.00" h x 1.29" w x 6.00" l,
Binding: Paperback
514 pages

Language Notes
Text: English (translation)
Original Language: Arabic

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0 of 0 people found the following review helpful.
Informative
By Brightsunshine
Muhammad Ghazali displays his extensive knowledge on the subject of Fiqh, while it is still and easy read and an excellent resource for students. Not only tells about the life of the Prophet Muhammad, but explains how and why main events came about.

0 of 0 people found the following review helpful.
Absolutely wonderful reference tool as well
By Terry Holdbrooks
Definitive and must have for understanding the life of the Prophet Mohammed (Peace be upon Him). Absolutely wonderful reference tool as well.

0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
thanks

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Wednesday, June 9, 2010

[E992.Ebook] Free Ebook Literature and the Environment: A Reader on Nature and Culture, by Lorraine Anderson, Scott P Slovic, John P. O'Grady

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Literature and the Environment: A Reader on Nature and Culture, by Lorraine Anderson, Scott P Slovic, John P. O'Grady

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Exploring our relationship to nature and the role literature can play in shaping a culture responsive to environmental realities, this thematic, multi-genre anthology includes early writers such as John Muir, Henry David Thoreau, and Mary Austin, alongside contemporary voices such a Gary Snyder and Terry Tempest Williams.

Sales Rank: #947658 in Books
Published on: 1998-08-21
Original language: English
Number of items: 1
Dimensions: 8.90" h x 1.40" w x 6.00" l, 1.67 pounds
Binding: Paperback
538 pages

Features

Used Book in Good Condition

About the Author

Lorraine Anderson grew up on a chicken ranch in the Santa Clara Valley of California in the days when it was still known as the Valley of Heart’s Delight, when blossoming orchards stretched as far as the eye could see in springtime. She contains the imprint of the earth’s beauty in her cells. She edited Sisters of the Earth: Women’s Prose and Poetry About Nature (1991, second edition 2003), co-edited At Home on This Earth: Two Centuries of U.S. Women’s Nature Writing (2002), and co-authored Cooking with Sunshine (2006). An adjunct professor at Linn-Benton Community College in Corvallis, Oregon, she holds a BA in English from the University of Utah (1975) and an MA in creation spirituality from Naropa University (2000).

�

Scott Slovic has been a professor of literature and environment at the University of Nevada, Reno, since 1995, where he directed the Center for Environmental Arts and Humanities from 1995 to 2002, co-founded the Graduate Program in Literature and Environment, and currently directs the Core Writing Program. He has written, edited, or co-edited nineteen books in the field of ecocriticism and environmental literature, including Seeking Awareness in American Nature Writing (1992), What’s Nature Worth? (2004), and Going Away to Think (2008). He served as the founding president of the Association for the Study of Literature and Environment from 1992 to 1995 and since 1995 has edited the journal ISLE: Interdisciplinary Studies in Literature and Environment. A three-time Fulbright Scholar (in Germany, Japan, and China), Scott has lectured and taught in many countries throughout the world.

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John P. O’Grady was born in New Jersey and born again in the mountains of the American West. As an undergraduate he studied forestry, believing that this was a chance to dwell in deep groves and sequestered places, but when he realized resource management is not an appropriate practice for one who delights less in the chainsaw than in the standing oak, he moved on to pursue graduate studies in English. For a number of years he served as professor of literature and environmental studies. He has lived in California, Idaho, Montana, and Pennsylvania. Now he’s in the Catskill Mountains of New York, where he continues to write. He is the author of Grave Goods (2001) and Pilgrims to the Wild (1993).

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4 of 5 people found the following review helpful.
Excellent for teaching
By A Customer
Literature and the Environment: A Reader on Nature and Culture has been an invaluable resource and platform for discussion in my high school literature class that centers around the natural world and man's place in it. The essays, poems, and excerpts avoid groupthink, polarization of issues, and are, for the most part, accessible to students.

2 of 2 people found the following review helpful.
A valuable resource!
By S. Myers
This reader is a valuable resource for both literature courses and environmental studies programs. It's a well-chosen collection of literary works that reflect the vital intersection of nature and culture.

0 of 0 people found the following review helpful.
Just What I Expected!
By Ant
This is the book I needed for my class and the only one my University had was the newest edition for a crazy $90. So happy to find this on Amazon and from a very good seller too. The book had some very minor damage on the cover and I was expecting that along with bent pages; for a used book it's exactly what I expected!

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[J380.Ebook] PDF Download Bioenergy: Part 1: Principles and Technologies (Green Alternative Energy Resources)From de Gruyter

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Bioenergy: Principles and Technologies introduces biomass energy resources and then elaborates on bioenergy technologies including biomass combustion, biogas production, biomass briquettes and biomass gasification. With a combination of theories, experiments and case studies, the book is an essential reference for bioenergy researchers, industrial chemists and chemical engineers.

Sales Rank: #3427160 in Books
Published on: 2017-03-06
Original language: English
Number of items: 1
Dimensions: .0" h x .0" w x .0" l, .0 pounds
Binding: Hardcover
370 pages

About the Author

Zhenhong Yuan, Chuangzhi Wu, Longlong Ma, Guangzhou Institute of Energy Conversion, Chinese Academy of Sciences, Guangzhou, China

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Tuesday, June 8, 2010

[H420.Ebook] Free Ebook Once and Always, by Judith McNaught

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Across the vast ocean sailed Victoria Seaton, a free-spirited American beauty left suddenly orphaned and alone. Eager to claim her long-lost heritage, she was amazed at the formal elegance of Wakefield, the sumptuous English estate of her distant cousin...the notorious Lord Jason Fielding. Sought after at plays, operas, and balls by London's most fashionable ladies, Jason remained a mystery to Victoria. Bewildered by his arrogant demeanor, yet drawn to his panther-like grace, she came to sense the searingly painful memories that smoldered in the depths of his jade-green eyes.
Unable to resist her spitfire charm, Jason gathered her at last into his powerful arms, ravishing her lips with his kisses, arousing in her a sweet, insistent hunger. Wed in desire, they were enfolded in a fierce, consuming joy, free at last from the past's cruel grasp. Then, in a moment of blinding anguish, Victoria discovered the shocking treachery that lay at the heart of their love...a love she had dreamed would triumph...Once And Always.

Sales Rank: #92158 in Books
Brand: Pocket Books
Published on: 1990-09-20
Released on: 1990-09-20
Original language: English
Number of items: 1
Dimensions: 6.75" h x 1.10" w x 4.19" l, .31 pounds
Binding: Mass Market Paperback
400 pages

Features

Great product!

Review
Judith McNaught once again works her unique magic in this charming, sparkling romance. (RT Book Reviews on REMEMBER WHEN)

People have been waiting for this book for years… Until You takes you on a roller-coaster ride of emotions. (Kathe Robin in USA Today on UNTIL YOU)

By portraying her protagonists with verve and good humor, and adroitly mixing corporate maneuvers and passionate encounters, McNaught has produced a captivating tale. (Publishers Weekly on PARADISE)

Fans of Danielle Steel and Janet Daily who enjoy a stylish… fast-paced story will welcome McNaught. (Library Journal on PARADISE)

Judith McNaught comes close to an Edith Wharton edge. (The Chicago Tribune on PARADISE)

A mixture of virtue and passion that is almost—ahem—perfect.� (Kirkus Reviews on PERFECT)

Judith McNaught is in a class by herself. (USA Today on WHITNEY, MY LOVE)

The ultimate love story, one you can dream about forever. (RT Book Reviews on WHITNEY, MY LOVE)

A wonderful love story…fast-paced and exciting…great dialogue! (New York Times bestselling author Jude Deveraux on WHITNEY, MY LOVE)

A perennial favorite, Judith McNaught adds a new layer of suspense to her latest romantic release. Her unique voice and talent shine through in this exciting tale of loyalty, love and danger. (RT Book Reviews on NIGHT WHISPERS)

…Romance is McNaught's bread and butter and she serves it up in abundance. (Publishers Weekly on SOMEONE TO WATCH OVER ME)

Judith McNaught not only spins dreams, but she makes them come true... She makes you laugh, cry and fall in love again. This book is a cherished treasure. (RT Book Reviews on SOMETHING WONDERFUL)

Well-developed main characters with a compelling mutual attraction give strength and charm to this romance set in 19th-century Great Britain. (Publishers Weekly on ALMOST HEAVEN)

Judith McNaught is a magical dreamspinner, a sensitive writer who draws on our childhood hopes and reminds us of loves power. A KINGDOM OF DREAMS will stay in your heart forever and be a classic on your shelves. (RT Book Reviews on A KINGDOM OF DREAMS)

About the Author
Judith McNaught is the New York Times bestselling author who first soared to stardom with her stunning bestseller Whitney, My Love, and went on to win the hearts of millions of readers with Once and Always, Something Wonderful, A Kingdom of Dreams, Almost Heaven, Paradise, Perfect, Until You, Remember When, Someone to Watch Over Me, the #1 bestseller Night Whispers, and other novels. There are more than thirty million copies of her books in print. She lives in Houston.

Excerpt. � Reprinted by permission. All rights reserved.
Chapter One

England

1815

"Oh, there you are, Jason," the raven-haired beauty said to her husband's reflection in the mirror above her dressing table. Her gaze slid warily over his tall, rugged frame as he came toward her; then she returned her attention to the open jewel cases spread out before her. A nervous tremor shook her hand and her smile was overly bright as she removed a spectacular diamond choker from a case and held it out to him. "Help me fasten this, will you?"

Her husband's face tightened with distaste as he looked at the necklaces of glittering rubies and magnificent emeralds already spread across her swelling breasts above, the daring bodice of her gown. "Isn't your display of flesh and jewels a little vulgar for a woman who hopes to masquerade as a grand lady?"

"What would you know about vulgarity?" Melissa Fielding retorted contemptuously. "This gown is the height of fashion." Haughtily she added, "Baron Lacroix likes it very well. He specifically asked me to wear it to the ball tonight."

"No doubt he doesn't want to be troubled with too many fasteners when he takes it off you," her husband returned sarcastically.

"Exactly. He's French -- and terribly impetuous."

"Unfortunately, he's also penniless."

"He thinks I'm beautiful," Melissa taunted, her voice beginning to shake with pent-up loathing.

"He's right." Jason Fielding's sardonic gaze swept over her lovely face with its alabaster skin, slightly tilted green eyes, and full red lips, then dropped to her voluptuous breasts trembling invitingly above the plunging neckline of her scarlet velvet gown. "You are a beautiful, amoral, greedy...bitch."

Turning on his heel, he started from the room, then stopped. His icy voice was edged with implacable authority. "Before you leave, go in and say good night to our son. Jamie is too little to understand what a bitch you are, and he misses you when you're gone. I'm leaving for Scotland within the hour."

"Jamie!" she hissed wrathfully. "He's all you care about -- " Without bothering to deny it, her husband walked toward the door, and Melissa's anger ignited.

"When you come back from Scotland, I won't be here!" she threatened.

"Good," he said without stopping.

"You bastard!" she spat, her voice shaking with suppressed rage. "I'm going to tell the world who you really are, and then I'm going to leave you. I'll never come back. Never!"

With his hand on the door handle, Jason turned, his features a hard, contemptuous mask. "You'll come back," he sneered. "You'll come back, just as soon as you run out of money."

The door closed behind him and Melissa's exquisite face filled with triumph. "I'll never come back, Jason," she said aloud to the empty room, "because I'll never run out of money. You'll send me whatever I want...."

"Good evening, my lord," the butler said in an odd, tense whisper.

"Happy Christmas, Northrup," Jason answered automatically as he stamped the snow off his boots and handed his wet cloak to the servant. That last scene with Melissa, two weeks earlier, sprang to his mind, but he pushed the memory away. "The weather cost me an extra day of travel. Has my son already gone to bed?"

The butler froze.

"Jason -- " A heavyset, middle-aged man with the tanned, weathered face of a seasoned seaman stood in the doorway of the salon off the marble entrance foyer, motioning to Jason to join him.

"What are you doing here, Mike?" Jason asked, watching with puzzlement as the older man carefully closed the salon door.

"Jason," Mike Farrell said tautly, "Melissa is gone. She and Lacroix sailed for Barbados right after you left for Scotland." He paused, waiting for some reaction, but there was none. He drew a long, ragged breath. "They took Jamie with them."

Savage fury ignited in Jason's eyes, turning them into furnaces of rage. "I'll kill her for this!" he said, already starting toward the door. "I'll find her, and I'll kill her -- "

"It's too late for that." Mike's ragged voice stopped Jason in mid-stride. "Melissa is already dead. Their ship went down in a storm three days after it left England." He tore his gaze from the awful agony already twisting Jason's features and added tonelessly, "There were no survivors."

Wordlessly, Jason strode to the side table and picked up a crystal decanter of whiskey. He poured some into a glass and tossed it down, then refilled it, staring blindly straight ahead.

"She left you these." Mike Farrell held out two letters with broken seals. When Jason made no move to take them, Mike explained gently, "I've already read them. One is a ransom letter, addressed to you, which Melissa left in your bedchamber. She intended to ransom Jamie back to you. The second letter was meant to expose you, and she gave it to a footman with instructions to deliver it to the Times after she left. However, when Flossie Wilson discovered that Jamie was missing, she immediately questioned the servants about Melissa's actions the night before, and the footman gave the letter to her instead of taking it to the Times as he was about to do. Flossie couldn't reach you to tell you Melissa had taken Jamie, so she sent for me and gave me the letters. Jason," Mike said hoarsely, "I know how much you loved the boy. I'm sorry. I'm so damned sorry...."

Jason's tortured gaze slowly lifted to the gilt-framed portrait hanging above the mantel. In agonized silence he stared at the painting of his son, a sturdy little boy with a cherubic smile on his face and a wooden soldier clutched lovingly in his fist.

The glass Jason was holding shattered in his clenched hand. But he did not cry. Jason Fielding's childhood had long ago robbed him of all his tears.

Portage, New York

1815

Snow crunched beneath her small, booted feet as Victoria Seaton turned off the lane and pushed open the white wooden gate that opened into the front yard of the modest little house where she had been born. Her cheeks were rosy and her eyes bright as she stopped to glance at the starlit sky, studying it with the unspoiled delight of a fifteen-year-old at Christmas. Smiling, she hummed the last bars of one of the Christmas carols she'd been singing all evening with the rest of the carolers, then turned and went up the walk toward the darkened house.

Hoping not to awaken her parents or her younger sister, she opened the front door softly and slipped inside. She took off her cloak, hanging it on a peg beside the door, then turned around and stopped in surprise. Moonlight poured through the window at the top of the stairway, illuminating her parents, who were standing just outside her mother's bedroom. "No, Patrick!"' Her mother was struggling in her father's tight embrace. "I can't! I just can't!"

"Don't deny me, Katherine," Patrick Seaton said, his voice raw with pleading. "For God's sake, don't -- "

"You promised!" Katherine burst out, trying frantically to pull free of his arms. He bent his head and kissed her, but she twisted her face away, her words jerking out like a sob.

"You promised me on the day Dorothy was born that you wouldn't ask me to again. You gave me your word!"

Victoria, standing in stunned, bewildered horror, dimly realized that she had never seen her parents touch one another before -- not in teasing, nor kindness -- but she had no idea what it was her father was pleading with her mother not to deny him.

Patrick let go of his wife, his hands falling to his sides. "I'm sorry," he said stonily. She fled into her room and closed the door, but instead of going to his own room, Patrick Seaton turned around and headed down the narrow stairs, passing within inches of Victoria when he reached the bottom.

Victoria flattened herself against the wall, feeling as if the security and peace of her world had been somehow threatened by what she had seen. Afraid that he would notice her if she tried to move toward the stairs, would know she had witnessed the humiliatingly intimate scene, she watched as he sat down on the sofa and stared into the dying embers of the fire. A bottle of liquor that had been on the kitchen shelf for years stood now on the table in front of him, beside a half-filled glass. When he leaned forward and reached for the glass, Victoria turned and cautiously placed her foot on the first step.

"I know you're there, Victoria," he said tonelessly, without looking behind him. "There's little point in our pretending you didn't witness what just took place between your mother and me. Why don't you come over here and sit by the fire? I'm not the brute you must think me."

Sympathy tightened Victoria's throat and she quickly went to sit beside him. "I don't think you're a brute, Papa. I could never think that."

He took a long swallow of the liquor in his glass. "Don't blame your mother either," he warned, his words slightly slurred as if he had been drinking since long before she arrived.

With the liquor impairing his judgment, he glanced at Victoria's stricken face and assumed she had surmised more from the scene she'd witnessed than she actually had. Putting a comforting arm around her shoulders, he tried to ease her distress, but what he told her increased it a hundredfold: "It isn't your mother's fault and it isn't mine. She can't love me, and I can't stop loving her. It's as simple as that."

Victoria plunged abruptly from the secure haven of childhood into cold, terrifying, adult reality. Her mouth dropped open and she stared at him while the world seemed to fall apart around her. She shook her head, trying to deny the horrible thing he had said. Of course her mother loved her wonderful father!

"Love can't be forced into existence," Patrick Seaton said, confirming the awful truth as he stared bitterly into his glass. "It won't come simply because you will it to happen. If it did, your mother would love me. She believed she would learn to love me when we were wed. I believed it, too. We wanted to believe it. Later, I tried to convince myself that it didn't matter whether she loved me or not. I told myself that marriage could still be good without it."

The next words ripped from his chest with an anguish that seared Victoria's heart: "I was a fool! Loving someone who doesn't love you is hell! Don't ever let anyone convince you that you can be happy with someone who doesn't love you."

"I -- I won't," Victoria whispered, blinking back her tears.

"And don't ever love anyone more than he loves you, Tory. Don't let yourself do it."

"I -- I won't," Victoria whispered again. "I promise." Unable to contain the pity and love exploding inside her, Victoria looked at him with tears spilling from her eyes and laid her small hand against his handsome cheek. "When I marry, Papa," she choked, "I shall choose someone exactly like you."

He smiled tenderly at that, but made no reply. Instead he said, "It hasn't all been bad, you know. Your mother and I have Dorothy and you to love, and that is a love we share."

Dawn had barely touched the sky when Victoria slipped out of the house, having spent a sleepless night staring at the ceiling above her bed. Clad in a red cloak and a dark blue woolen riding skirt, she led her Indian pony out of the barn and swung effortlessly onto his back.

A mile away, she came to the creek that ran alongside the main road leading to the village, and dismounted. She walked gingerly down the slippery, snow-covered bank and sat down on a flat boulder. With her elbows propped on her knees and her chin cupped in her palms, she stared at the gray water flowing slowly between the frozen chunks of ice near the bank.

The sky turned yellow and then pink while she sat there, trying to recover the joy she always felt in this place whenever she watched the dawning of a new day.

A rabbit scurried out from the trees beside her; behind her a horse blew softly and footsteps moved stealthily down the steep bank. A slight smile touched Victoria's lips a split second before a snowball whizzed past her right shoulder, and she leaned neatly to the left. "Your aim is off, Andrew," she called without turning.

A pair of shiny brown top boots appeared at her side. "You're up early this morning," Andrew said, grinning at the petite, youthful beauty seated upon the rock. Red hair shot with sparkling gold was pulled back from Victoria's forehead and secured with a tortoiseshell comb at the crown, then left to spill over her shoulders like a rippling waterfall. Her eyes were the deep, vivid blue of pansies, heavily lashed and slightly tilted at the corners. Her nose was small and perfect, her cheeks delicately boned and blooming with health, and at the center of her small chin there was a tiny but intriguing cleft.

The promise of beauty was already molded into every line and feature of Victoria's face, but it was obvious to any onlooker that her beauty was destined to be more exotic than fragile, more vivid than pristine, just as it was obvious that there was stubbornness in her small chin and laughter in her sparkling eyes. This morning, however, her eyes lacked their customary luster.

Victoria leaned down and scooped up a pile of snow with her mittened hands. Automatically Andrew ducked, but instead of launching the snowball at him, as she would normally have done, she threw it into the creek. "What's wrong, bright-eyes," he teased. "Afraid you'll miss?"

"Of course not," Victoria said with a morose little sigh.

"Move over and let me sit down."

Victoria did so, and he studied her sad expression with mild concern. "What has you looking so grim?"

Victoria was truly tempted to confide in him. At twenty, Andrew was five years her senior and wise beyond his age. He was the only child of the village's wealthiest resident, a widow of seemingly delicate health who clung possessively to her only son at the same time that she relinquished to him all responsibility for the running of their huge mansion and the 1,000 acres of farmland surrounding it.

Putting his gloved finger beneath her chin, Andrew tipped her face up to his. "Tell me," he said gently.

This second request was more than her heartsick emotions could withstand. Andrew was her friend. In the years they had known each other, he had taught her to fish, to swim, to shoot a pistol, and to cheat at cards -- this last he claimed to be necessary so she would know if she was being cheated. Victoria had rewarded his efforts by learning to outswim, outshoot, and outcheat him. They were friends, and she knew she could confide almost anything to him. She could not, however, bring herself to discuss her parents' marriage with him. Instead she brought up the other thing worrying her -- her father's warning.

"Andrew," she said hesitantly, "how can you tell if someone loves you? Truly loves you, I mean?"

"Who are you worried about loving you?"

"The man I marry."

Had she been a little older, a little more worldly, she would have been able to interpret the tenderness that flared in Andrew's golden brown eyes before he swiftly looked away. "You'll be loved by the man you marry," he promised. "You can take my word for it."

"But he must love me at least as much as I love him."

"He will."

"Perhaps, but how will I know if he does?"

Andrew cast a sharp, searching look at her exquisite features. "Has some local boy been pestering your papa for your hand?" he demanded almost angrily.

"Of course not!" she snorted. "I'm only fifteen, and Papa is very firm that I must wait until I'm eighteen, so I'll know my own mind."

He looked at her stubborn little chin and chuckled. "If knowing your own mind" is all Dr. Seaton is concerned about, he could let you wed tomorrow. You've known your own mind since you were ten years old."

"You're right," she admitted with cheerful candor. After a minute of comfortable silence, she asked idly, "Andrew, do you ever wonder who you'll marry?"

"No," he said with an odd little smile as he stared out across the creek.

"Why not?"

"I already know who she is."

Startled by this amazing revelation, Victoria snapped her head around. "You do? Truly? Tell me! Is it someone I know?"

When he remained silent, Victoria shot him a thoughtful, sidewise look and began deliberately packing snow into a hard ball.

"Are you planning to try to dump that thing down my back?" he said, watching her with wary amusement.

"Certainly not," she said, her eyes twinkling. "I was thinking more in the line of a wager. If I can come closer to that rock atop the farthest boulder over there, then you must tell me who she is."

"And if I come closer than you do?" Andrew challenged.

"Then you way name your own forfeit," she said magnanimously.

"I made a dire error when I taught you to gamble," he chuckled, but he wag not proof against her daring smile.

Andrew missed the far-off target by scant inches. Victoria stared at it in deep concentration; then she let fly, hitting it dead-on with enough force to send the rock tumbling off the boulder along with the snowball.

"I also made a dire error when I taught you to throw snowballs."

"I always knew how to do that," she reminded him audaciously, plunking her hands on her slim hips. "Now, who do you wish to marry?"

Shoving his hands into his pockets, Andrew grinned down at her enchanting face. "Who do you think I wish to marry, blue eyes?"

"I don't know," she said seriously, "but I hope she is very special, because you are."

"She's special," he assured her with gentle gravity. "So special that I even thought about her when I was away at school during the winters. In fact, I'm glad to be home so I can see her more often."

"She sounds quite nice," Victoria allowed primly, feeling suddenly and unaccountably angry at the unoffending female.

"I'd say she's closer to 'wonderful' than 'quite nice.' She's sweet and spirited, beautiful and unaffected, gentle and stubborn. Everyone who knows her comes to love her."

"Well then, for heaven's sake, why don't you marry her and have done with it!" Victoria said grimly.

His lips twitched, and in a rare gesture of intimacy, Andrew reached out and laid his hand against her heavy, silken hair. "Because," he whispered tenderly, "she's still too young. You see, her father wants her to wait until she's eighteen, so she'll know her own mind."

Victoria's enormous blue eyes widened as she searched his handsome face. "Do you mean me?" she whispered.

"You," he confirmed with smiling solemnity. "Only you."

Victoria's world, threatened by what she had seen and heard last night, suddenly seemed safe again, secure and warm. "Thank you, Andrew," she said, suddenly shy. Then, in one of her lightning-quick transformations from girl to charming, gently bred young woman, she added softly, "How lovely it will be to marry my dearest friend."

"I shouldn't have mentioned it to you without first speaking with your father, and I can't do that for three more years."

"He likes you immensely," Victoria assured him. "He won't object in the least when the time comes. How could he, when you are both so much alike?"

Victoria mounted her horse a little while later feeling quite gay and cheerful, but her spirits plummeted as soon as she opened the back door of the house and stepped into the cozy room that served the dual purpose, of kitchen and family gathering place.

Her mother was bending over the hearth, busy with the waffle iron, her hair pulled back in a tidy chignon, her plain dress clean and pressed. Hanging from nails beside and above the fireplace was an orderly assortment of sifters, dippers, graters, chopping knives, and funnels. Everything was neat and clean and pleasant, just like her mother. Her father was already seated at the table, drinking a cup of coffee.

Looking at them, Victoria felt self-conscious, sick at heart, and thoroughly angry with her mother for denying her wonderful father the love he wanted and needed.

Since Victoria's sunrise outings were fairly common, neither of her parents showed any surprise at her entrance. They both looked up at her, smiled, and said good morning. Victoria returned her father's greeting and she smiled at her younger sister, Dorothy, but she could scarcely look at her mother. Instead, she went to the shelves and began to set the table with a full complement of flatware and dishes -- a formality that her English mother firmly insisted was "necessary for civilized dining."

Victoria moved back and forth between the shelves and the table, feeling ill at ease and sick to her stomach, but when she took her place at the table, the hostility she felt for her mother slowly began to give way to pity. She watched as Katherine Seaton tried in a half dozen ways to make amends to her husband, chatting cheerfully with him as she hovered solicitously at his elbow, filling his cup with steaming coffee, handing him the pitcher of cream, offering him more of her freshly baked rolls in between trips to the hearth, where she was preparing his favorite breakfast of waffles.

Victoria ate her meal in bewildered, helpless silence, her thoughts twisting and turning as she sought for some way to console her father for his loveless marriage.

The solution came to her the instant he stood up and announced his intention of riding over to the Jackson farm to see how little Annie's broken arm was mending. Victoria jumped to her feet. "I'll go with you, Papa. I've been meaning to ask you if you could teach me how to help you in your work, I mean." Both her parents looked at her in surprise, for Victoria had never before shown the slightest interest in the healing arts. In fact, until then, she had been a pretty, carefree child whose chief interests were in gay amusements and an occasional mischievous, prank. Despite their surprise, neither parent voiced an objection.

Victoria and her father had always been close. From that day forward, they became inseparable. She accompanied him nearly everywhere he went and, although he flatly refused to permit her to assist him in his treatment of his male patients, he was more then happy to have her help at any other time.

Neither of them ever mentioned the sad things they had discussed on that fateful Christmas night. Instead they filled their time together with cozy conversations and lighthearted banter, for despite the sorrow in his heart, Patrick Seaton was a man who appreciated the value of laughter.

Victoria had already inherited her mother's startling beauty and her father's humor and courage. Now she learned compassion and idealism from him as well. As a little girl, she had easily won over the villagers with her beauty and bright, irresistible smile. They had liked her as a charming, carefree girl; they adored her as she matured into a spirited young lady who worried about their ailments and teased away their sullens.

Copyright � 1987 by Judith McNaught

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0 of 0 people found the following review helpful.
Good.
By Dj BR
Liked this over all. At times, the characters/plot annoyed me, but overall good romance story.

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Five Stars
By Elaine Taylor
good book.

42 of 46 people found the following review helpful.
A positive, appreciative view of Once and always
By A Customer
Although I've read all of McNaught's books, I find this one by far one of her best. If you're like me, and enjoy story lines that contain an intense, passionate relationship with not only a strong male character but also a strong female character, then you'll fall inlove with this book the way I did. It's one of her earlier books, and in my opinion one of her most romantic, due to the fact that she focuses in on the relationship more then outside factors like other romance writers tend to do. No, you won't find a murder mystery here, but instead a lovely, intense, sweeping romance. I know, because every time I flip through those pages, I get a tight knot in my stomach and I choke up; thats the sign of a true romance writer. Read this book!

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Monday, June 7, 2010

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A concise practical guide to treatment and diagnosis of skin related disorders for skin of color patients.

Sales Rank: #3127754 in Books
Brand: Brand: Springer
Published on: 2012-09-29
Original language: English
Number of items: 1
Dimensions: 9.20" h x 1.10" w x 6.20" l, 1.50 pounds
Binding: Hardcover
382 pages

Features

Used Book in Good Condition

Review

From the reviews:

“Clinical dermatologists will appreciate the practical information this book presents on treating darker skin types for a variety of disorders. … The information is well organized and concisely presented. This is a useful guide to treating common skin disorders seen in patients with darker skin … . I found the book easy to read and predict it will be a handy reference to refresh one’s neurons for diagnosing and treating skin disorders in darker pigmented individuals.” (Patricia Wong, Doody's Book Reviews, March, 2013)

From the Back Cover

This book serves as a practical guide to the diagnosis and treatment of common skin disorders in patients with skin of color. Emphasizing practical insights into diagnosis and treatment of skin and hair disorders in darker skinned patient populations, Skin of Color offers a detailed discussion of the nuances of treating skin of color.

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Topics of discussion include: management of acne, keloids, melasma, postinflammatory hyperpigmentation, acne keloidalis nuchae, alopecias, and the safe and effective use of chemical peels, laser procedures, and injectable fillers and toxins in skin of color patients.

About the Author

Andrew F. Alexis, MD, MPH

Director, Skin of Color Center

Department of Dermatology

St. Luke’s Roosevelt Hospital

New York, NY, USA

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Victoria H. Barbosa, MD, MPH, MBA

Assistant Professor

Department of Dermatology

Rush University

Chicago, IL, USA

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